Ajith Kumar’s ‘Good Bad Ugly’ Pulled from Netflix Following Madras High Court’s Copyright Ruling

Good Bad Ugly

On September 16, 2025, the Madras High Court issued an interim injunction ordering the removal of Ajith Kumar’s action-comedy Good Bad Ugly from Netflix due to a copyright dispute over three songs by legendary composer Ilaiyaraaja. Directed by Adhik Ravichandran and produced by Mythri Movie Makers, the film—released theatrically on April 10, 2025, and streaming on Netflix since May 8—was taken down after Ilaiyaraaja alleged unauthorized use of his compositions. The court, under Justice N. Senthilkumar, barred its exhibition across all platforms, impacting its reach in India’s ₹101 billion entertainment industry. The ruling, part of a ₹5 crore lawsuit, has sparked debates among 467 million social media users, highlighting tensions between creative rights and commercial cinema.

The Copyright Dispute: Ilaiyaraaja’s Legal Stand

Ilaiyaraaja, the maestro behind over 7,000 songs, filed a suit claiming Mythri Movie Makers used three tracks—“Otha Ruba Tharen” (Nattupura Pattu, 1996), “Ilamai Idho Idho” (Sakalakala Vallavan, 1982), and “En Jodi Manja Kuruvi” (Vikram, 1986)—without permission or royalties. His legal team argued that the songs, integral to the film’s ₹212 crore global success, were altered, violating his moral and economic rights under the Copyright Act, 1957. The producers countered that they secured rights from music labels, but the court found their response lacking, granting Ilaiyaraaja’s plea for an injunction and demanding revenue details. This echoes his 2024 win against Manjummel Boys, securing ₹60 lakh for similar violations.

Broader Industry Implications

The case underscores the growing scrutiny of music rights in Indian cinema, where composers like Ilaiyaraaja, AR Rahman, and Anirudh Ravichander increasingly assert control. For Mythri Movie Makers, known for Pushpa, it’s a costly lesson in due diligence, as unresolved rights can derail pan-Indian projects. The next hearing, set for early October, may decide if edits or settlements restore the film. In India’s 780-language diverse market, this dispute raises questions: Can filmmakers balance commercial ambition with artists’ rights? As streaming platforms dominate, such legal battles could reshape how music is licensed, impacting budgets and releases.

A Waiting Game for Ajith’s Fans

For Ajith Kumar, whose star power drove Good Bad Ugly’s success, the removal is a rare hiccup in a stellar year. Fans hope for a resolution to bring the film back to Netflix, but Ilaiyaraaja’s firm stance prioritizes creative ownership. In a dynamic industry, this clash reminds us that behind every blockbuster lies a delicate balance of art and law.

-By Manoj H