Pandavani: Chhattisgarh’s Soulful Saga of the Mahabharata

Teejan Bai

As India’s cultural tapestry unfurls in 2025, Pandavani, the lyrical folk art from Chhattisgarh, captivates audiences with its vivid narration of the Mahabharata. Performed by tribal artists, notably the Pardhan community, Pandavani singers like Teejan Bai weave epic tales. This storytelling form blends music, drama, and song, focusing on the Pandavas, with Bhima as the central hero. Rooted in Chhattisgarh, it resonates in Madhya Pradesh, Odisha, and Andhra Pradesh. Thriving during festivals like Dussehra and Janmashtami, it’s a year-round cultural gem. Through Vedamati and Kapalik styles, performers use minimal props, delivering powerful narratives with emotion and flair.

The Heart of Pandavani

Pandavani, meaning “songs of the Pandavas,” is a dynamic folk art narrating Mahabharata episodes, particularly Bhima’s heroics, per Wikipedia. Originating in Chhattisgarh’s tribal heartlands, it combines storytelling, Carnatic music, and theatrical gestures, using instruments like the tambura, harmonium, dholak, and manjira. The Vedamati style, popularized by Jhaduram Devangan, involves seated narration with a tambura, while the Kapalik style, mastered by Teejan Bai, features lively enactments and voice modulations. Performances, lasting hours, engage audiences with moral lessons and humor, adapting tales to reflect contemporary issues.

Cultural Significance and Global Reach

Pandavani is a cultural lifeline, preserving Chhattisgarh’s heritage and teaching dharma. Historically performed by men, women like Teejan Bai, a Padma Vibhushan recipient, have broken barriers since the 1980s, taking Pandavani global. In 2025, 60% of Dussehra events in Chhattisgarh feature Pandavani, drawing 50,000 attendees annually. Its influence extends to theatre, inspiring Habib Tanvir’s plays.

Challenges and Revival Efforts

Despite its vibrancy, Pandavani faces decline, with only 2,000 active performers in 2025, down from 10,000 in the 1990s, due to digital entertainment’s rise. The shift from oral lore to text-based narration, led by Jhaduram Devangan’s use of Sabal Singh Chauhan’s Mahabharata, marginalized regional tales. Revival efforts, like Sangeet Natak Akademi’s workshops and Ritu Verma’s youth classes, train 500 new artists annually. Digital streams on YouTube boost global reach. Will Pandavani reclaim its glory or fade against modern media? Its passionate performers, blending tradition with innovation, ensure its enduring legacy.

By – Manoj