Tollywood’s Pan-India Struggles: Weak Content Sinks Big-Budget Films, While Hanuman, Major, and Karthikeya 2 Shine

A still from the movie, RRR.

The box office failure of Hari Hara Veera Mallu, Liger, Operation Valentine, Agent, Spy, and Skanda can be largely attributed to their weak storytelling and poor execution. Stars like Pawan Kalyan, Vijay Deverakonda, and Naga Chaitanya led these projects. Despite high budgets and hype, these films failed to resonate nationally. The film has been released across India in multiple languages throughout 2022–2025. In contrast, Hanuman, Major, and Karthikeya 2 succeeded with compelling narratives and cultural resonance.

The Pan-India Ambition Falters

Tollywood’s push for pan-India appeal, sparked by Baahubali and RRR, has seen mixed results. Hari Hara Veera Mallu, a ₹300-crore Pawan Kalyan epic, opened with ₹49.5 crore but crashed to ₹87 crore net in India, a flop due to shoddy VFX and inconsistent storytelling. Liger (2022), Vijay Deverakonda’s ₹90-crore action flick, collapsed with ₹60 crore worldwide and was criticized for weak scripting. Operation Valentine (2024) and Agent (2023), both starring Varun Tej and Akhil Akkineni, respectively, flopped with under ₹20 crore each, hampered by cliché plots. Spy (2023) and Skanda (2023), led by Nikhil Siddhartha and Ram Pothineni, earned below ₹30 crore each and were faulted for lackluster narratives.

Why These Films Failed

Weak content is the common thread. Hari Hara Veera Mallu’s negative reviews highlighted poor VFX and disjointed storytelling, with an 80% day-two drop to ₹9.5 crore. Liger’s exaggerated dialogues and Agent’s outdated spy tropes alienated Hindi audiences. Operation Valentine’s aerial action lacked emotional depth, while Spy and Skanda suffered from predictable plots and weak character arcs. High budgets—Liger at ₹90 crore, Skanda at ₹46 crore—didn’t translate to quality. Bollywood’s broader market demands universal appeal, which these films, tailored for Telugu sensibilities, failed to deliver, per reports.

Success Stories: Hanuman, Major, Karthikeya 2

In contrast, Hanuman (2024), a ₹50-crore mythological superhero film, grossed over ₹350 crore worldwide, driven by its emotional storytelling and cultural resonance. Major (2022), a ₹30-crore biopic on Major Sandeep Unnikrishnan, earned ₹65 crore globally and was lauded for Adivi Sesh’s nuanced performance and tight narrative. Karthikeya 2 (2022), with a ₹15-crore budget, minted ₹117 crore worldwide, blending mythology and adventure seamlessly, per Wikipedia. These films succeeded by prioritizing story over star power, resonating across India with universal themes.

Challenges and Path Forward

Tollywood’s pan-India flops reveal a disconnect: high budgets and star-driven projects don’t guarantee success without strong scripts. X posts, with 70% criticizing “hype-driven disasters” like War 2 and Game Changer, reflect audience fatigue with formulaic content. Meanwhile, smaller films like Hanuman thrive on authenticity. Will Tollywood pivot to content-driven storytelling or chase fading trends? With 2025 hits like Sankranthiki Vasthunam (₹255 crore) showing promise, the industry must balance ambition with narrative depth to conquer the pan-India market.

-By Manoj H